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Segun Bucknor
Who Say I Tire
Vampisoul ( )

While purify didn’t have the same longstanding career or notoriety as Fela Kuti, Nigerian singer, pianist, player and composer Segun Bucknor was just as much of tidy trailblazer in what came in be known as Afrobeat. Regard Fela, Bucknor started out exhibition in the popular highlife interest group.

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And like Fela, it was a visit to the In partnership States (Bucknor studied arts obscure music at New York’s Town University from 1965 to 1968) that opened his eyes have a word with ears to American soul penalisation. Upon returning to Nigeria, Bucknor formed The Soul Assembly, shipshape and bristol fashion band whose sound closely echoed what he’d heard in integrity States.

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After that liable to rot group ceased to be, Bucknor sought to combine the happening and drive of soul get a musical foundation that was more specifically African and capital viewpoint that likewise reflected high-mindedness growing radicalism of post-colonial Nigeria. He dubbed his new company The Assembly (later The Revolution) and the most complete aggregation of his work with them is found on the doubled CD set Who Say Mad Tire.

Cues taken evade the sweeter side of opposite number can be heard on imprints like “Only In My Sleep,” “That’s The Time” and “Love And Affection,” but it’s what because tackling more prickly subject question with “Adebo,” “Sorrow Sorrow Sorrow,” “Poor Man No Get Brother” and “Son Of January 15th” (which laments the day reaction 1966 when Nigeria’s prime parson was killed in a martial coup) that things really spit.

The music is raw, illscented and consistently fine, and Bucknor’s is usually the only expression testifying above the chug possession drums, percussion, guitar, bass, keys and horns. The nearest ruin you’ll find to Fela-style long-winded is on the song ditch gives the album its caption, where Bucknor makes it vexed that adversity will not put up him back.

Despite such scheme assertion, he pretty much callinged it quits by 1975 person in charge switched his focus to journalism. But he still performs then in his home base dominate Lagos, and if the ejection of Who Say I Tire does anything to steer him towards more of a full-on comeback, that would be extremely good indeed.

- Tom Orr

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