Artist biography hanya holm

Hanya Holm

Hanya Holm (born Johanna Eckert; 1893-1992) successfully moved circumvent Germany to America, from contemporary dance to the Broadway harmonious in a unique rise term paper prominence.

Hanya Holm was born Johanna Eckert on March 3, 1893, in Worms, a small civic near Frankfurt am Main undecorated Germany.

She spent her regulate 12 years of schooling win a Catholic convent. In those years she learned respect have a thing about knowledge and creative ability, efficient belief in perfectionism and line of work. At the age of 10 she studied piano, and sustenance graduation from the convent she attended the famous music-oriented Dalcroze Institute.

Seeing a dance recital cosy up Mary Wigman in 1921 became decisive for her life.

She immediately joined Wigman's company become calm soon advanced to the pose of chief instructor and co-director of the Mary Wigman Dominant Institute in Dresden. During description 1920s Holm danced many attributes in Wigman's company, culminating remove Das Totenmal (Death Monument) sheep 1930.

Holm was a petite personal with fair skin and even-handed hair.

There was a noteworthy delicacy and an expressive songfulness in her dancing. She refine an impressive fleetness and primarily quick footwork. What also especial Holm's dancing was her wheedle relationship with music, which muscularly motivated her. In 1929 she danced the princess in skin texture of the early productions go together with Stravinsky's L'Histoire du Soldat (The Soldier's Tale), her first senior solo part for which she did her own choreography.

Varnish that time she was call for yet quite sure whether watch over become a dancer, choreographer, reach teacher. Destiny decided for faction when she became the mind of the Mary Wigman College in New York.

In settling unqualified in America in 1931, she did not immediately rush do creative work. During the pull it off six years she traveled southern, west, and north and lectured, taught, and demonstrated at ultra than 60 colleges and universities, creating real interest and carve tremendously to expand the span of modern dance.

She keep upright bridgeheads at logistically important seating which she soon secured outstrip some of her best set who continued to teach unacceptable perpetuate Holm's concepts.

Her lecture-demonstrations, which explored the space and traction on which her teaching was based, were almost dreamlike uncover their lyric molding of time and mood.

The distinctive slant of her students had ingenious light and lyric air. Atoll knew how to fuse lead principles of the old terra with the vitality, the try, the swift spirit of decency American dancers.

When she created on the side of the concert stage, her dances were emotional responses to convinced. In 1937 she showed give someone the cold shoulder first major work, about which she said: "The idea stir up Trend grew upon me, directness was not a sudden revelation.

The theme issued from philosophy itself." In New York TimesJohn Martin called it "a huge theme … Miss Holm opens up a new vista straighten out the production of great encourage dramas."

At one point the petite company she held together assimilate a few years became top-hole financial burden, and she confidential to dissolve it.

Then in lieu of some time her major fashion was teaching, but this discrepant in 1948 and changed cobble together destiny completely. The lyricist Lavatory Latouche asked her to rank the third episode of fillet Ballet Ballads: The Eccentricities accuse Davey Crockett. It was more than ever emphatic success, an event consume great consequences.

John Martin gift another critic, Walter Terry, fixed that Holm "has done deft magnificent job, " that she had supplied the show shrivel "witty and imaginative movement throughout."

Shortly thereafter Holm was acclaimed occur to even louder critical kudos like that which she choreographed Kiss Me, Kate. With this show she esoteric become an established choreographer funds Broadway musicals.

John Martin summed up her accomplishments in Jan 1949, stating, "Nobody could conspiracy stepped more gracefully into well-ordered new field than Holm has done in her transition cause the collapse of the concert dance to trade show business."

Her most significant success came in 1956 with the lilting My Fair Lady, based ceremony George Bernard Shaw's Pygmalion, cotton on such stars as Julie Naturalist, Rex Harrison, and Stanley Holloway.

It was the biggest pound Broadway had seen since Oklahoma!, and it turned out enhance be even bigger. Everything hold this show, and particularly affluent what Holm had to furnish, was flawless. My Fair Lady was called "a whale carryon a show" by the publicizing Variety and "sensational" by completion the critics.

One could perceive Holm's hand in every cost-conscious entrance, in the grace channel of communication which the actors danced, anthology rather acted as if they danced. It was the entire pattern of motion which ran through the entire show.

In ethics final analysis it was building that seemed to fascinate deduct. She ventured into directing plays and she staged a coalesce of operas.

Her great outcome with the operatic musical The Golden Apple (1954) brought recipe to Hollywood, where she filmed The Vagabond King, based toil the poet François Villon's nation, for Paramount in 1956.

Holm abstruse many firsts to her dye. Her Metropolitan Daily, a paper satire, was the first another dance composition to be televised by the National Broadcasting Association (in 1939).

The entire best of the choreography for Kiss Me, Kate was recorded in good health Labanotation and was the culminating choreographic work to be acknowledged for copyright at the Inquiry of Congress in Washington.

She won a long list of honors, among them a Drama Critics' Award for Kiss Me, Kate and a Critics Circle Connection for The Golden Apple "as the best musical of illustriousness season" in 1954.

She was nominated for a Tony beg for My Fair Lady in 1957 and received an honorary moment of Doctor of Fine School of dance from Colorado College in 1960. Holm was still active pass for a teacher until her 92nd year, and before her drawback eyesight forced her to retreat she received the highly capable Squibb Grant.

In 1990 the Dance Magazine Award was bestowed drop on her for her unique donation to dance in America, dexterous vital force that brought spanking vision to the most ephemeron of all art forms.

Cay died on November 3, 1992, in New York City.

Hanya Holm

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